Tag Archives: diary

Diary: Burned Art

The woodburning stove has come and gone. The original intention when I first saw that steel firebox was to set it up as some back patio curio. Eventually, we would enclose the space with large windows so as to have a tea room/greenhouse in the winter. The intention that came to be, however, was something else.

It all started with a digital advertisement and the word “Free.” From the pictures online, I examined the stove and thought well enough to go to some stranger’s house and lug this hunk of metal to my home. My initial excitement was followed by curiosity, so I lit a fire to get a sense of how this thing worked. As it turned out, not so well. I fiddled with the baffels and checked the flue collar and so on to give the smoke a direction other than out. I guess that’s why this thing was free. I had nothing more than a metal case that smothered the fire within. And so this thing sat and sat.

Eventually, and for a day, the stove found a purpose. And it was a grey day where the sun is somewhere up there until the clouds that make up the sky grow dark until all is dark save the haze of rain that halos the street lights. And I remember the stillness of that day as I lit a fire in the stove with some wood from one of those projects I sometimes find myself in. And with the stove stoked and piping hot, I proceeded to pitch the artwork that used to hang on the walls of my house into the fire. And the once yellow flames burned blue and green and darker until what choked out of that stove was a syrupy smoke that clung throughout as if to life.

I knew this would happen to some degree, that I would have nothing more than a smothered fire and the smog. But I did it anyway, I think, because I knew I’d be parting with this stove at some point. And I didn’t want those ashes to touch my yard — strange, I know. I didn’t want the remains to linger in my world, which is anywhere I choose to exist: the fields, the mountains, the city — anyplace or anywhere. If I could somehow send these works into space, that distance would still not be enough. Burning them was the only option as if I was trying to sever or sanctify some connection through what this artwork represents.

And yet, despite the heat, there was more smoke than expected. And the smoke didn’t rise. Instead, it clung to the ground as if to seed itself and continue on. And maybe this sacrifice wasn’t so much as refused by god as accepted by the devil — I don’t know if I believe that, but it is fun to ponder such things. And sometimes, it’s not.

My mother gave me those paintings. And they’ve followed from place to place until here: I’ve come to see them as the remnants of some shriveled tentacle that connected us — myself and my mother, that is. But it’s strange getting older and looking back from this adult perspective. And getting older with this constant reflection is traumatizing in a way because I often say, “I am now the age my mother was when I was…” It’s a hell of a perspective in that those weird memories now have the weight of severity and I can call those past situations what they are. And I relive other things that I’m sure she figured I was too young to remember or have nothing to do with her. In truth, it wasn’t only her, not even by a long shot. I still remember the names as if reading a list only for myself. It’s a long list that even has my name.

But there is one thing I often think about, which I know I will never have an answer to. It doesn’t stop me from wondering, though. And so a perpetual question: “What happened? What did I block from my memory that made me so terrified of my bedroom as a child that I would choose to sleep anywhere but in my bedroom?” I’d sleep on the couch or on the floor or behind the couch and on the floor. And one of the safest places for me to sleep was not upstairs in my bedroom, which was adjacent to my parents’ bedroom. Instead, I chose to sleep downstairs and in the hallway with my brother’s door at my head and my sister’s door to my left. There was a time that plot of floor close to my siblings was the safest place in the house. And I slept against their closed doors for a while until it was time to move on.

I don’t know what it was exactly that I experienced at such a tiny age that made me terrified of my bedroom when night came. But whatever it was still haunts me. Even now, if I lay in a bed and the perspective of the door is down and to the left of my feet like it was in childhood, my anxiety spikes. Even now, I become terrified. Even now, as an adult, those living shadows…

But because of my progress, it occurred to me that I should visit the past in order to gain another perspective. Closure, maybe? But to do so, I’d have to work backwards through the different houses and cities and states. And going backward is nothing but a review of immense pain until settling on that childhood home.

And I’d be in front of that house with the long look of silence from the street. Is it really progress to go backwards, I’d think. And in that moment, a car would make the turn but pause before entering the driveway. And the car window would roll down and a woman would be direct in her suspicion: “Excuse me, can I help you?”

And I’d apologize and say that I was just revisiting child-hood memories, that I grew up in that home. And I’d remark about how much everything has changed, about how that major thoroughfare used to be a dirt road, and about how all those houses used to be nothing but forrest and bike paths. And I’d tell her about where the trees used to be on the property and about where the concrete pad in the back yard came from, if it’s still there, and about why that pad is circumscribed with another four inches of concrete padding around the exterior. I’d tell her about the juniper tree in the back and why those limbs on the bottom are shorn off on one side, and that it was my doing in trying to make a bow and arrow. And those strange bumps in the side yard were from the bike jumps. And about how that large pine tree next to the garage has some planking on the high branches because of a half attempted tree fort, and those weird blocks of wood that were nailed into the tree where supposed to be handholds. And I’d tell her about the interior of the house, about the layout and ask if there is still that boot print against the vaulted ceiling in the living room on the upper floor, of if that was painted over. Maybe the thick beam of rough hewn wood still separates the dining room from the living room. And I’d tell her about how when the home was sold, that the wood-burning metal stove in the downstairs wasn’t to code, and that’s why there is a chimney flue to nowhere if it is still visible from inside the garage. And I’d go on and so on with all the memories.

And we’d talk and I’d tell her about the kindergarten I went to, and then the first and second elementary school, and so on. And then she’d say, “It sounds like you had a really happy child hood here. I’m glad we got such a good home.” And I’d look over at her and then in the car to see two children looking up in silence and a bag of groceries beside them. And in the moment I’d remember myself at that age and all the things I would protect myself from had I the chance.

“Yeah,” I’d say. “It was.”

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Diary: A Dog

When I was about 4 years old, the family I had at the time got a dog. He was a yellow lab, if I remember correctly, and there was nothing in our ability to take care of a dog appropriately. I suspect there was a greater interest in the idea of having a dog than the reality: the fantasy of having is almost always more appealing than the reality of having in a ‘the grass is greener’ sort of way.

And we had that dog and let him go ferrel because, I think, my parents were not equipped and neither were the children to take care of an animal. There were claw marks on the front of the wooden door because the family dog wanted to get out or in, but he remained ignored or misunderstood. And he’d run away because we didn’t have a fence and we’d let him out without respect to the consequence of what we were doing. I remember a knock at the door and this woman was sobbing with who I think was her husband, and they were holding our family dog and he was bloody and yelping because he was let outside and ran in front of a car and was hit by that car, but survived. The lessons of that event, however, weren’t learned or understood. The dog ran away because we were negligent.

Eventually, it all came down to a deal my mother made with me. And in retrospect, I wonder what she said to my father at the time, or my older brother or my older sister. But I remember her setting the expectation with me that we could keep the dog if I was the one to take care of him, whatever that meant. Feeding him, I think, is what she meant, because my mother told me she was tired of doing even that which indicates no one else cared. Ultimately, I failed, and she gave the dog away. We were too dysfunctional for the addition of life — for fish, dogs, and I’d even argue too dysfunctional for human life from what I remember of my experience.

In retrospect, I think of the dysfunction of that family as if it were affected by some mental illness hot potato that bounced around from one person to the other, but always in some surreptitious hand-off. And you wouldn’t know it at first until you felt the heat and were so sick of it you’d toss it to someone else in desperation. As for surficial specifics, I found the cassette tapes of phone tapped conversations from the family phone in the garage. That’s weird, right? Not to mention, in the most euphemistic of ways, the boundary issues year after year. And that’s why I have a therapist and will likely have a therapist for a long time.

Now that I’m older, my partner and I have a dog among other animals. I sometimes wonder if we are the primary reason for the escalating population of red-squirrels in the area because of all the walnuts we feed them. And every year, we hand feed some wild animal that comes into our yard. As for the dog, he’s an anxious fellow, but he’s loved. I stroke his ears and watch his eyes go from being wide-eyed to relaxed as I hum to him and tell him it’s ok. He doesn’t know exactly what I’m saying, but he understands the tone; he understands everything is ok. And sometimes, I’ll boop my nose on his forehead or rub my nose against his, or scratch under his chin. And when I do scratch under his chin and then stop, he’ll lurch his head forward and bump into me as if to say he wants more. Most of the time I concede and I’ll feel the weight of his head and I’ll drop my hands lower until my hands are ultimately a pillow for his head. And in that moment, I think, is when this four legged animal has claimed me in kinship. And I let him use me for a pillow for a little while longer until there is something else I have to do.

It’s fun having a dog. And it’s strange comparing how I’m interacting with this dog now compared to what I was taught (or not taught) when growing up. It’s quite a contrast, I think, to be in a situation where I’m nurturing a little dog with severe anxiety. I pet him a lot and give him little muscle massages and gently stroke his ears and cheeks. And sometimes I’ll pick him up and hold him when he gets into something he isn’t supposed to as a way to redirect his attention. Sometimes it works. In any case, I’d like to think this dog is being treated how that dog from childhood should have been treated. I guess this is me compensating for some sort of injustice. I’m making things right with love, in other words.

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Diary: Better than Me

I remember a turning point in my mid-twenties where I was in the presence of someone I came to realize was better than me. What I felt wasn’t jealousy, it never was, and wasn’t even close. It was more like realizing in this dark universe that there are those that exist as nothing more than proof that there is good out there. I was fortunate enough to date them for a time and to fall in love and to be in love even though it wasn’t mutual and still know they are better suited for someone else. It didn’t help that she was taller than me, so she always seemed to slouch a bit to compensate… someone as great as she was (and I hope still is) deserves to stand tall.

For some reason, it’s almost easier to explore those painful experiences because the details are salient and concrete. Those good experiences, however — the good people that exist and their influence is harder to quantify. It’s almost as if describing the good directly is the wrong thing to do. Rather, it is best to describe the outline of good because the brightness at center is too much such that its impossible to gaze upon. You can’t look at what glows directly because it will blind you, but indirectly is a space of words that in some small measure point to the idea of good.

So here I am with my meager attempt, that the existence of you who is better than me moves me.

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Diary: My Namesake

How fitting that I should carry the namesake of a man that forked himself in to the family tree three generations ago, as if to share a first name was to finalize what I would otherwise inherit and continue on with a surname. A conciliatory legacy, I suppose, of things that will live on after death in a way that mattered in life. It mattered to him, I think, even if it was only a first name.

I was little when I would follow him to the shed that housed his idle 1966 T-Bird Convertible. He’d crank the engine and have it run for a good ten minutes to keep the vehicle in working order even though he never drove it. I’d sit in the driver’s seat and he’d role play this aloof pedestrian that I’d honk at and startle. He got a kick out of that as much I did at that age.

Another time, I was playing on the stairs with some transformer knock-off toy when he approached with wobbly sea legs and a wide rimmed glass in hand. He put the other hand on the banister to sturdy himself, and he stared at me as if before an audience and about to give an address. He told me he loved me, and then he hugged me. I remember the brisk whiskers on his cheek and the smell — God, that smell, and I told him so with the bluntness of a child. The rebuff stirred a long silence, and all he could do was slink away.

I didn’t get the meaning of the moment until some years later when I had that same wide rimmed glass filled with ice cold gin while looking at a bottle of vermouth, and then a splash of vermouth, and so on until ratios seemed right for the moment. Not 1 part this to 4 parts that, but instead .08 and higher so as to thin the blood and help the heart not to work so hard to beat out ‘I love you.’

I got it. I think I got it. And how things have changed that I can be stone sober and say, “I love you, too.”

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A New Pain Scale

Physical pain is sobering;

It limits your focus to the essentials.

Without the extraneous,

You can only see tomorrow

With its death mask blooming

In celebration to the immediate

And no more.

There is no future beyond my eyes

Unless I labor myself to open the door

Or ascend the stairs or exhaust myself

For as far as these crutches can take me.

But it’s tiring, and shortens my gaze.

And though I’ve never been able to see the future,

Right now, I can’t even try.

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Heart Beat of Nature

I went hiking a few days ago with my partner. It was something we needed to do — to reconnect with that primitive heart beat of nature.
The begining of the trail was silent as if the animals quieted because they knew we were intruders. I think it’s odd to go into a green forest and only hear the wind rustle the pine-needle’s and leaves. Further up the trail, however, is where the birds sat chirping their song in a full range of notes as opposed to the birds downtown that forego certain tunes because they can’t compete with the music of the civilized world.
And it makes me wonder what music in me is hampered by the civilized world that I would find such respite elsewhere.

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On Poetry

A silver wire frayed
From my hair as
I washed my hands
With my reflection
Today.

Time is coming and
Time is going.
But somehow I stay here
Waiting
For my time.

Such is the undertaking of
A project in years.

I tell them that
I am two-thirds done
After two years of work.
It seems that way,
I think.

Then the followup question:
What is it about?
As if it’s some tattoo,
And then the answer

Then there is the true answer:
The plot is secondary.

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Slow Down and Reset

My brain is rambling today — not about the need for a new residence, but because of people, society, and culture. There is an absurd level of fragmentation made worse by the volume of anger: even those liberal minded folks have their version of Donald Trump. And then there are the posts with some variation of “unfriend me if you like Trump.” It’s hard for me not to see this partisanship furthering the fragmentation as we embed ourselves in a sinkhole of our own views. And when we speak, it’s not so much to inform as it is to seek agreement and like minds to prop us up with meaningless epaulet so we know the hierarchy and our place in it with the implicit notion that we must strive for the top.

I was reading Yeats’s poetry again today and always go back to “The Second Coming,” not because I like it, but because there is a line that hits you over the head with sublime truth: “The best lack all conviction, while the worst / Are full of passionate intensity.” Bertrand Russell intimated the same sentiment with is own version of this concept: “The trouble with the world is that the stupid are cocksure and the intelligent are full of doubt.”

I like to think of truth as some omnipresent thing, and each of us imbed ourselves in a section of it like parasites feasting on what will sustain us and our worldview. And we discard the rest so long as we find our group of like minds in our cordoned off little section — a sinkhole of myopia, a mistake that occludes one from seeing true purpose and does violence to the human spirit: the glaucoma being all the screaming voices that distract and seduce you and pressure you into parroting them with vicious intensity, then positive reinforcement once you acquiesce to the mire.

To get unstuck, I read poetry or look at art. I reset and move on. And with that, I leave you with my thoughts on one of my favorite paintings,“Wanderer Above the Sea Fog” by Casper David Friedrich.

Everyone has seen Twilight Zonesque type shows or movies where the protagonist escapes the maze only to realize their freedom is now the ability to see how grand the maze is and that they are still in it. Sometimes, that futility is the conclusion. But the story I tell myself with this painting is of a man at the precipice. He conquered one challenge only to see the vastness of what’s next. It’s almost meaningless in some way, but he’s neither daunted nor discouraged. Instead he stands tall and regal and unafraid, and most importantly, alone. His back is to us, but we see what he sees, so he’s not shutting us out. Instead, there is some goal out there made invisible by the fog. It could be an impossible dream, but that doesn’t matter – obstacles don’t matter – because his determination is unbreakable. Our man here is the pinnacle of the everyman, from the child standing up to a bully, to the exhausted single parent with two kids working on a master’s degree, to those that were never more sure there was never a heaven than there was a hell on earth and made it. This man is inviolable purpose – the definition of the human spirit.

image

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On Understanding

The views on my website spiked the day of my birthday. My blood pressure spiked as well. It meant someone googled my name and went through my posting history. I held my breath for the email from my mother, which I got the next day.

My mother pointed out the aspects of the subject matter she didn’t like, which is understandable from a church-going person. However, there were other pieces that emotionally moved her.

The one that grabbed her most was about living in Ireland as an old man under a pseudonym, and celebrating at a pub, then coming home to smoke from a pipe as I watch the news from a country I abandoned about the new Dalai Llama, and her policies in her nation, The United States. Consequently, I close my eyes to prepare for death and think about what I want to be the next time around. Who do I want to be and what do I want to do?

There was something about seeing myself as a young and enthusiastic woman with thick socks and hiking as a stranger to the world that everyone else is so familiar with. And I discover for myself what everyone else has already penned to paper. Then I die and, presumable, come back for the next go around.

I don’t necessarily believe in reincarnation or God — I think most of what constitutes organized religion upends the personal mysticism one discovers in being alone. That solitude reassociates perspective through unconditioning of the mind. There are no commercials; there are no voices; there are no perspectives to foment grief other than your own. And in the end, there is a comfortable emptiness much like drinking your favorite wine, or beer, or scotch, or food, or desert, or whatever at the end of a long day.

The conversation with my mother turned towards the lack of connection I have with her. I told her that it wasn’t just one big thing, but the biggest, I think, was being sexually abused when I was younger. There wasn’t just one abuser, but the person that did the most psychological damage still lives in Oregon and has a family and children, I made the mistake of telling my mother his name a few years ago and she looked him up and considered contacting him to let him know how much damage he had caused. She didn’t and now has the weight of this knowledge like a rock in her heart. Part of me feels responsible. What could I say to ameliorate this grief?

I told her what I could…

He has a police record. The mug shots over the years showing a gaunt face that only comes from addiction. Some part of me wonders if him withering away is in part because of guilt and shame over his actions as a young man, that the sins of his youth made it harder to escape the eventual sins of adulthood — sometimes, I wonder if I’m even a thought.

He was interviewed for an article because he was a resident at this farm that was, in essence, an inpatient program for families. They would work the farm and learn skills and tools to function. That was a few years ago. And his most recent mug-shot is from last year. I felt bad for him and still feel bad for him. His life is incredibly short and this is where he is at.

Part of me has been debating on whether I should send him a letter. Just something saying that if he needs my forgiveness that he can have it, and that he needs to get back on track — I don’t want him in my life, but I don’t want him to suffer. I’m in such a fortunate position and he is not. He’s stuck. It’s almost as if something in him died along the way and he can’t come back… I want him to come back. And that, for me, is the definition of resurrection.

My mother pointed out the irony that she, as my church-going mother, hadn’t gotten there yet; and that I had over thirty years as opposed to her three to cope with this. But I don’t think that’s it. Instead, I think it’s understanding how insignificant the differences are. There is only a sliver of difference between those monsters in history and the rest of us. I truly believe that.

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Old Poetry… Because why not…

Reconciliation

To the west
Her stone face
queried the clouds
roaming and roving
“Look at me!
Will you not tremble?”

And
He answered
with the rattle of thunder
a trickle turned
torrent that seeped
into the cracks
and spalled

Jagged rocks tumbled
smooth returned to Earth

Now
rivers and lakes even
the once pocked mountain
and the green
of old growth trees
saddle the streams

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Catching a sacred moment

There are days where it is hard to write in the same way it is hard to walk after you have hiked with a ruck-sack through the steep terrain of the mountains. You’ll be winded until you find your cadence of breath. Then your muscles will burn until you learn to take smaller steps up the hills and switch back your way down them. And when your joints hurt is hopefully when you are back home with a drink or that celebratory cigarette or what have you. You can rest a little bit until you are fine before you power through the next jaunt. Fortunately, I have balance in my life and write fairly regularly on a day to day basis. Though, some days are more productive than others. I’m sure it has something to do with confidence as well the comfort I feel when I know the right words were used.

However, I have noticed something else that has stopped me from writing. And, ironically enough, it is this strange desire to write things that have nothing to do with my book. These non-book related focuses take away from a goal, I feel. But, I am starting to realize that if I purge them through the written word, then it is easier to focus on the book. In truth, the same laws that apply to being unable to selectively numb (to numb fear, but not love; anger, but not patience) apply to creativity. I am trying to numb creativity that is pushing itself out through a short jaunt in an attempt to redirect it toward the goal that has been almost two years in the making. (I believe Isaac Asimov decided not to continue working with classified material in that keeping secrets in one way would restrain him in other ways.)

So here I am and writing about my thoughts; but the thought I prefer to focus on starts with a trip to Japan a little over ten years ago where I gaffed. In typical flair, I photographed something I shouldn’t have — I recorded it even. I tried to capture something that seemed unusual to me, but my curiosity and intrigue probably caused more offense than anything. And in typical cultural response, no one said anything, but they sure thought it. My Japanese companion at the time filled in the details for me and I understood. But, it was those details she mentioned that caused me to take notice of something I would have normally ignored. And it was those details that have marked me deeply.

The question, naturally, is what did I do? Well, we were crossing a river and there were these stone boats with little statues. Everything stood stationary with the shadows of the trees waving with the wind. Each boat carried a cylindrical votive figure. Some were dressed and some were tattered, but all were squished in as if the boats carried what they could with the intent of returning to make another trip. And when I found out the reason for the statues, I knew they would return for another trip, and then more, and still more until the end of humanity.

In Japan, there is a saint that has made a vow to wander through all the hells that exist and escort those souls from purgatory. With his staff, he would break down the doors of hell, and with his jewel he would light the way; and he will not be done until he is done. He is a bodhisatva in the truest sense in that he not only has found the door to enlightenment, in that he not only holds the door open for others, but that he guides others to the door that can’t do it themselves. Naturally, he is the guardian of children: a deity of deceased children, aborted fetuses, and stillborns.

Each statue was an offering to comfort the grieving that lost what was most precious to them while others made the offering to absolve themselves of a vengeful spirit. This was a sacred place under a bridge, and I buried it all under a constipated shit. Anyone watching was too polite to say anything while I snapped away. And I was too dense to take the hint that we should be moving on…

Later, during that same trip, I was on a trail between shrines. Each one I saw was gold leafed and painted and bright. And then I came upon one that was dilapidated and sunken in with a sag from woodrot. Moss turned the roof into a mass of thick green. The shrine was tall and thin and narrow and surrounded by a cyclone fence in the footprint of a small house. I wanted to get closer to see the details, but I couldn’t. So I used the view finder on the camera to zoom in onto the steps where I saw what looked like a faded box with a bow, and next to this box was a tiny doll with the stitching loose and slumped and faded from the sun. And behind them was that same figure.

I knew I had stumbled on to something significant, so I took pictures as I circled the fence, and I zoomed in and out as I recorded all angles of this wilting shrine. Luckily, this time, I was lone. But when it was found out what I had done, I was politely told it probably wasn’t a good idea.

It took a good long while for me to understand the significance of what now remains a memory. And I am reminded of it once in a while as I travel around in my thoughts. I would like to think I am a bit more sensitive to what is considered sacred and should be handled delicately so that people can appropriately grieve. Though, it was only a few days ago when I saw pictures posted online of another grieving mass in Ireland. He helped carry the casket on his right shoulder with a look of aimless resolve on his eyes. Lines of grief raked his face as he stared blank. His smooth hands that carried her belied the age in his beard. But the camera caught him because he was supposed to be significant above all others there.

And I studied this picture and felt what I felt at the shrine and at the river. I felt it intensely. But I also felt a deep reverence that turned to shame when I went to the next picture to see this swath of people in a current with one face standing out like an unlikely rock — he broke the wall that kept me anonymous as he stared back. His eyes sunken in the shadows of his face and hollow cheeks as he at once pitied me and accused me for catching him in this moment. Part of me wonders if it was him wanting to ask why I would do this, but he lacked the effort for anger since he already knew.

And I did what I did at the shrine and at the river, and I saved the moment. It’s important somehow, and I don’t know why. To remind myself of something easily forgot? To have a clue towards something I’m still trying to understand? There is meaning there, I know there is, and that is why I saved the pictures. However, part of me is afraid there is none when I want there to be, and dismissing the evidence will prove that.

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Happiness

I’m happy.

Life has arranged itself into what I want it to be; and I feel like I manipulated a good chunk of my life in the right ways these past few years. I must admit, however, I didn’t know I would be here… where ever here is.

I think about death a lot, too. I feel like death is this gift I keep in my pocket to keep my perspective aligned because there is this world outside of myself that pulls on perspective. I’m fortunate that I don’t have to be punctual at work (as long as I get my work done), because it allows me time to bond with my partner… those extra minutes are important. Why should I have to wait to say what I want to say before seeing her again?

I don’t have a lot: I would rather have less than more, and I would rather be homeless and working odd jobs than find myself tethered to the acquizition of things, or be in a position where I could acquire a bunch of things. The thought of homelessness scares the shift out of me, but it also has an appeal… I could be the quintisential dirtbag like Fred Beckey, except it would be in my craft.

And can’t help but think of the misguided dreams fostered by people that have “made-it” as they’re talking to a crowd dreaming of fame and wealth. I think the true success stories are of those that are doing what they want to do. If the fame and wealth overlaps, then that is fine, but I think fame and wealth as a goal is a miserable goal.

I have a happy little life. And though I sit on my chair and think and write, I feel like I have come to understand the language of the birds anyway…

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Depression: part 2 (thoughts expanded)

There was a thought that crawled about in the mental closet during my minor essay on depression the other day. At one point, I likened depression to something that, when you come out of it, makes you wonder what was wrong in the first place. I would like to explore that thought and take it a little further: you have no idea how much you are dependent on your mind as a well functioning machine until something breaks the consistency of the brain, and changes perceptions and personality.

Sanity is precious, but I think we rarely look at sanity deeply because our internal egos want to dismiss it as something simple with the statement “I’m right,” which is the exception that proves the rule “you’re wrong.” It’s a shit rule, obviously. Most people have accepted the concept of relativity, that there is a continuum of acceptable perceptions. The problem is that we know how to behave… in theory. But when truly tested, we find ourselves failing a lot more than we would like to admit. Furthermore, there is the terrible notion that when confronted with the truth, we tend to sink ourselves further into our own biases that oppose truth. And the problem of sanity is compounded further because we don’t acknowledge it until someone has outright fucking lost reason and rationality and can’t come back, or we dismiss the experiences unlike our own.

It seems that in between the extremes of sanity and insanity is a vast expanse made of varying degrees of micro-psychoses that we engage in and then come back from, like entering into a dream before waking up. Some of these experiences indelibly mark behavior; and some are called spiritual experiences, which affect behavior in the most extreme ways. But, if we can be so easily affected by external stimuli, then what is the basis of who we are? If a depressed person takes a psychiatric drug, they are subject to a redefinition of character because the functioning of their mental machine is changed. And what about the other external stimuluses that are aspects of societal structures? How much are we truly changed by our circumstance and privileges or lack thereof?

Who we are is an emptiness that perceives reality through the filters of body and mind in a feedback loop system. Who we are is who we are in the moment.

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Depression

Depression is a tar pit. You wander around, and by the sheer chance, weighted by genetics,
you find yourself in the sticky stuff. Not only is it harder to move, but it is also harder to think
as you are subjected to a different kind of agony that can only be known by the people that
have been there… repeatedly. And I say repeatedly because it’s easy to forget how terrible it
is when you aren’t stuck. Even coming out of the goo, you wonder what exactly was wrong in
the first place — what exactly was it that made suicide the seductive option? The answer,
unfortunately, is an unmitigated and hollow nothing. There is no answer that will suffice for the
rational mind that demands a linear story. Depression is and nothing more than present
misery.

I’ve found myself hunkered down while a war rages on. I’ve grown accustomed to the bits of
dirt shaken loose from the bombs as I wait out the invader. Yet, as I am here, I realize I am
only delaying what will inevitably happen. The war will take me or i will die of something else,
but the end is the same. And pro-lifers argue fighting for fighting’s sake with little regard to
rebuilding since quality of life isn’t important so long as you live until death takes you naturally.
Their reason ends at life because it is easier to triage those on the brink than juggle the
millions more with a myriad of diagnoses still not understood. Their fight is simple because
they are pushed by their survival instinct on the battlefield, and when their tour is done, they
go home, and I stay here and wait for the next invasion.

I’m aware of the cycle and the nuances specific to me, and I have chosen to divorce myself
from those that try to engage me on the subject. No-one is more an expert than I am at this
point and the unwanted interaction from those that care does violence to the process and
keeps me stuck in the pit. I have my time and I eventually come out clean. I don’t turn around
anymore to see it because I know it’s not there. It disappeared, somewhere, and I won’t find it
again until I’m in it.

As for the reason as to why I’m still here… I don’t know. But it is something I get to determine for myself.

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The Quiet Away From People

I deleted my facebook account some time ago. Consequently, I went to other social media sites to stay “connected” through information. The funny thing is that those other social media sites are starting to seem just as inane when you see personas instead of people. You can’t connect with a persona in any other way than something schizophrenic, which is the most insincere form of connection. Knowing the self is hard enough when you are alone. Then, when you enter into a dynamic with other poeple, your self is changed, and that self is further changed when someone turns the screw of their personality and makes it a persona. Eventually, the lies told are believed by the liar, and then by everyone else.

I like being alone. I think being alone cuts down on the extraneous mental noise from other people. If everyone is, in a sense, a brand, then I have turned down the advertisements. I sometimes think the advertisements that inundate our lives are just as toxic as the air on a smoggy day; and, like the air, the smog obfuscates my ability to see clearly. I suppose the question arises how the information in the world influences us and how it is used to hide stuff from us while exposing us to something “preferred.” Furthermore, isn’t an advertisement just repeated information aimed at drilling itself into your psyche to get us to act in a certain way? I surmise people aren’t that different from a billboard you pass on the street in how they affect you in the long run. We are nuggets of information after all.

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Diary Entry #1

An open and true account has always been my goal, but i’ve never quite figured out how to incorporate that into the “about me” section of this website dubiously titled “i am me” until today. However, this is only one particular story where words stop short on the edge of an idea.

Working 20 hours a week brings to mind the concept of delinquency or academics. And since I work for the company that I do, she assumed it was latter. I corrected her with the slight interjection that I wanted to write. “Oh,” she said as she filled me in on the details of how she used to broker books through an internet company. “Everyone wants to write a Pulitzer Prize winning book,” she started, “but if you want to make a lot of money, then write romance novels… but use a pen-name — don’t use your real name. Then you can use that money to support yourself for your career.”

I’d rather be a poor unknown than write romance novels. I’m still not even sure that I want to be completely known, actually. But, what she said made me think about security. I’m scared shitless of what I’m doing because I know my decisions now will greatly affect me as an old man. Will I have enough as an old man if I continue on this path? Will I be able to make a living? How far will this set me back if I keep doing it?

The thing is, I love my life now. I am writing, and thinking, and doing what I know I am supposed to be doing. But, I still seem to have this nagging thought that I am borrowing against my future.

I don’t know if I’ll ever be famous — most likely not. I don’t know if I’ll ever sell anything that I have written — I hope so. And even though I am scared, I am doing something I enjoy, and that is enough for me to know I am doing the right thing even though I freeze, or stutter, or want to hide and wait for it to all go away.

But when my mind is still, I breath and relax: “You’re doing the right thing,” I tell myself. “You’re doing the right thing.”

Then I start.

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