Category Archives: Diary

Diary: Eulogy

One of my friends died last year. She was older and lived about to the average lifespan for a woman in the U.S.

She’s often in my thoughts. And I sometimes go through old text messages to see the exchange of ideas between us. To say I miss her would be an understatement, but these memories and desires serve as a reminder to “not waste it,” as they say. But what exactly is being wasted?

She told me she wanted to write one more book. Even so, as she told me this, she knew she was dying. Her kidney function was diminished, which affects heart function. And the sequelae of these infirmities affect not only the cardiovascular system as a whole but also the liver. Despite these, she was still sharp, even in her last days. But in her last days, I could see her waning energy.

I still have one of her books she wrote about 35 years ago in the nightstand next to my bed. It’s a good book. And sometimes I put her name in a search engine and see some conversation on Reddit where someone somewhere discovers her writing for the first time.

Near the end of her life, she was concerned about a few things. Leaving a legacy was one of them. Another was the fear of the unknown in the unavoidability of death that was looming closer. And in her last year, she would text me about her angina attacks to let me know that ‘this might be it.’ Foolishly, I asked if there was anything to be done, and in her own way, she said what she said, which ultimately meant, “no, dummy. I’m dying.” I miss her intellectual generosity as well as her ferocity. And we’d text back and forth and the severity of her ailments would ease up enough for me to visit her. Eventually, however, it was a text from her daughter a few days before Thanksgiving, letting me know that her mother — my friend — was gone.

In her last year, she gave away her books. The only reason an author does that is to prepare an exit from this world as if to sit in their own grave and bury themselves, taking on the trouble themselves so no one else would feel the burden. And I read some of the books I got, and in one of them looked to be a love letter — not to me. It was a rough draft. I always knew she could write — of course she could write, she had about 12 books with Signet, an imprint of Penguin Random House. But my god! I didn’t know she could write like that. And even as I think this, I feel like I see her in my mind’s eye and hear her, saying with a look of amusement, slight annoyance, and bewilderment: “Of course I can write like that!”

One thing I remember her telling me, which amounts to a human axiom, is this: if someone else can’t do it for themselves, you should do it for them. This wasn’t meant as a way to help someone evade responsibility for life or anything. Rather, in her case, if someone couldn’t imagine something better in a terrible world, then it was up to you to offer up your imagination for them. This axiom, I think, was what motivated her writing.

And so I think about these lessons from my friend and how that resonates with my life and my being. Ultimately, I want to be left alone. I want to be no one. I want quiet. And these aspects of desire have followed me for a long time, as evidenced by my actions in throwing away school pictures and keepsakes from my youth. There’s only a handful of pictures that I can think of, and I didn’t have access to them despite throwing away what I could. I suppose, in a way, my throwing things away is akin to burying myself. But it seems that with my friend’s lessons, I am to unbury myself, which is to say that I am to more fully engage with this world and other people. And if that is the case, then what am I to imagine? What is this sense of obligation that I feel?

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Diary: Legacy

Two women I know that are advanced in age have become increasingly concerned about leaving a legacy. And both, it seems, will do it through writing. I hope they succeed; I admire and respect them both. And I hope that when my time comes, if it comes, that I’ll be as strong and as brave they are. Even so, I can’t imagine myself leaving a mark under my given name which is in some a way a dead-name to me. And though letters make sense on their own, I find that their lines become foreign like childish babblings in crayon when those letters come to approximate my name — a name that is some key in how I navigate my existence in this world.

I remember the first time I got something published under a private publisher. And I remember seeing my name attached to my work and feeling so depressed. In some way, those things I was proud of were attached to something I am not proud of, my name, that is. Cementing my existence with works to my given name seemed so wrong. Those words I strung together were erroneously strung to my given name. And as I look back I realize I have cut those strings and severed those threads and am left wondering what else I have missed that should be cut before I move on.

Diary: Just Lucky, I Think

I pulled some golden beets out of the ground earlier today and then watered the San Marzano Tomato plants that were a gift from a friend. And then I sat while my partner played with the dog and did other chores. It’s part of the summer routine for the time being until things pick up again, whatever that means — but whatever it means seems to fit.

Life has been this strange ride that I’m still getting a handle on. There is this peace and quiet that I’ve somehow managed to accumulate in my life. There are the flowers and the bees and the little animals that fly or scurry about, and these things are my focus. Back then, though… one of my high school math teachers got upset with me because, I think, I wasn’t paying attention. I don’t know. I was sitting in the back of the classroom and silent and he called me to stand in the front of the class and asked me why I was “here,” which is how he put it. In all likelihood, I was dissociating as I was dealing with something I absolutely couldn’t wrap my mind around. Years later, and I’m still shocked. Back then, however… I didn’t even have a clue as to how dysfunctional or serious things were. But I do remember that teacher telling me how things would be so much harder when I got older. I look at my life — my life the past ten years — and I can say that teacher was full of shit. It’s not his fault, though. He just didn’t know how bad things were. Neither did I.

I sometimes wonder what my life would be like had I been born into another family. I wonder this because there is this acquaintance that has a twin. But one was adopted to another family while the other stayed with the birth parents. The one that was adopted has an amazing life and career and is well accomplished while the other that stayed with their birth parents is… a product of their environment, which puts it lightly.

All in all, and considering the circumstances of my life, I seem to have turned out alright despite every fucked up experience. I’m so absurdly lucky. And I think it is that luck that I am still trying to process.

Diary: On Self

I thoroughly enjoy the quiet of being nobody in particular. I have the time to tend to my own life and my own affairs and to think. Sometimes, I perseverate on the wrong things, like the muckraker in that old tale that cannot see heaven for the ground before him. But I like to remind myself that those other muckrakers of print from over 100 years ago did something necessary and worthwhile.

Some days I wonder if my hesitation toward new adventures is because I’ll disturb the status quo of my life, that I’ll ruin what has been a life preserver in a hard existence. I’m told my hesitation and avoidance is a trauma response. Even so, I’ve accepted something new — a new art project, I suppose, which will push me out of my world by a slim margin. And by committing to this small thing, I worry I’ll disturb my peace through some sort of irrevocable becoming.

Diary: Wisdom in Reverse

I find myself marveling at so many things. What has caught my eye, recently, however, is that I’ve gotten to a point in my life where I have friends on both ends of the extreme in that some are twice my age and some are half my age. It used to be that I would, in my view, unfairly discriminate against someone’s age because I saw that as lack of experience. How stupid of me. And again, there are those on either end of the extreme — those older and younger — where I see their example and think to myself, “I want to be like that when I grow up.”

I’m not necessarily religious, and if there is a god, they are irrelevant to me. But in any case, I find myself praying for them and the world and the universe.

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Purple Ankles

I rode my bike the other day to get to an event for one of Barack Obama’s former communications directors. The weather was good for riding a bike in that it was a cold morning at just around 35 degrees. I was on my fixed gear that day and pumping up a major hill at about the same speed as an electric bike. I got to my turn and made it when I saw on the side of the street and on some concrete steps to a residential complex a slumping figure draped with a blanket as if to create a makeshift tent for themselves. It was a cold morning and the curve in their back suggested they were nearly passed out and beyond that casual rest when you are trying to catch your breath. And they were in the shade and I could see the purple of their ankles as I rode on by.

It took a block for me to process what it was I saw, so I turned around and hoped that what I found wouldn’t be a dead body. And as I approached I asked if this person was ok. And they were completely lucid and clear and responded that they were just waking up. Waking up, I thought. In that cold on that busy street. I asked if he wanted some coffee and he said he’d like that and I asked how he took it. “Cream and Sugar,” he said. And so I went to the gas station and came back and gave this man his coffee and about $25.

He was beyond appreciative and called me sir and thanked me. But what really marked the moment, however, was when he said, “you are the only person that’s acknowledged me.” I told him it was alright and to be safe and I rode on.

And I thought about that moment and have been thinking about that moment for a while. He was so deferential to me, which bothered me. Some part of me wanted to raise him up and hold him and tell him “I am not sir to you.” The other part that bothered me was someone acknowledging his existence meant so much to him, as if to say, “you are real. I see you. I’m not ignoring you.” And so on.

That man’s situation is something I don’t like in this world because it is so needless and so unnecessary. We have all the resources to fix it, but we don’t. And somehow we’ve normalized this pattern of suffering such that this man was so used to being invisible. We’ve normalized not seeing. And still, there is so much more I’m trying to figure out on this one.

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Diary: My Namesake

How fitting that I should carry the namesake of a man that forked himself in to the family tree three generations ago, as if to share a first name was to finalize what I would otherwise inherit and continue on with a surname. A conciliatory legacy, I suppose, of things that will live on after death in a way that mattered in life. It mattered to him, I think, even if it was only a first name.

I was little when I would follow him to the shed that housed his idle 1966 T-Bird Convertible. He’d crank the engine and have it run for a good ten minutes to keep the vehicle in working order even though he never drove it. I’d sit in the driver’s seat and he’d role play this aloof pedestrian that I’d honk at and startle. He got a kick out of that as much I did at that age.

Another time, I was playing on the stairs with some transformer knock-off toy when he approached with wobbly sea legs and a wide rimmed glass in hand. He put the other hand on the banister to sturdy himself, and he stared at me as if before an audience and about to give an address. He told me he loved me, and then he hugged me. I remember the brisk whiskers on his cheek and the smell — God, that smell, and I told him so with the bluntness of a child. The rebuff stirred a long silence, and all he could do was slink away.

I didn’t get the meaning of the moment until some years later when I had that same wide rimmed glass filled with ice cold gin while looking at a bottle of vermouth, and then a splash of vermouth, and so on until ratios seemed right for the moment. Not 1 part this to 4 parts that, but instead .08 and higher so as to thin the blood and help the heart not to work so hard to beat out ‘I love you.’

I got it. I think I got it. And how things have changed that I can be stone sober and say, “I love you, too.”

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Rain taps the windows

Rain taps the window
while the dryer tumbles
clothing with a low softness

I hear water stream off the roof
into one of the many ephemeral puddles
cornering the house, but it’s that window
tap and tapping that comes
to the foreground of my imagination

Will it be sunny tomorrow
I think
but the thought falls away
to the moment with the even tap
against the window, as if
tapping me on the head
“Here! It’s right here,” it says.

And I close my eyes and
listen to the water’s timbre,
like the crackle of a fire
that pops coals to ash.

And I drift before I forget
it’s a cold note foretelling winter’s silence.

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Heart Beat of Nature

I went hiking a few days ago with my partner. It was something we needed to do — to reconnect with that primitive heart beat of nature.
The begining of the trail was silent as if the animals quieted because they knew we were intruders. I think it’s odd to go into a green forest and only hear the wind rustle the pine-needle’s and leaves. Further up the trail, however, is where the birds sat chirping their song in a full range of notes as opposed to the birds downtown that forego certain tunes because they can’t compete with the music of the civilized world.
And it makes me wonder what music in me is hampered by the civilized world that I would find such respite elsewhere.

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On Poetry

A silver wire frayed
From my hair as
I washed my hands
With my reflection
Today.

Time is coming and
Time is going.
But somehow I stay here
Waiting
For my time.

Such is the undertaking of
A project in years.

I tell them that
I am two-thirds done
After two years of work.
It seems that way,
I think.

Then the followup question:
What is it about?
As if it’s some tattoo,
And then the answer

Then there is the true answer:
The plot is secondary.

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Catching a sacred moment

There are days where it is hard to write in the same way it is hard to walk after you have hiked with a ruck-sack through the steep terrain of the mountains. You’ll be winded until you find your cadence of breath. Then your muscles will burn until you learn to take smaller steps up the hills and switch back your way down them. And when your joints hurt is hopefully when you are back home with a drink or that celebratory cigarette or what have you. You can rest a little bit until you are fine before you power through the next jaunt. Fortunately, I have balance in my life and write fairly regularly on a day to day basis. Though, some days are more productive than others. I’m sure it has something to do with confidence as well the comfort I feel when I know the right words were used.

However, I have noticed something else that has stopped me from writing. And, ironically enough, it is this strange desire to write things that have nothing to do with my book. These non-book related focuses take away from a goal, I feel. But, I am starting to realize that if I purge them through the written word, then it is easier to focus on the book. In truth, the same laws that apply to being unable to selectively numb (to numb fear, but not love; anger, but not patience) apply to creativity. I am trying to numb creativity that is pushing itself out through a short jaunt in an attempt to redirect it toward the goal that has been almost two years in the making. (I believe Isaac Asimov decided not to continue working with classified material in that keeping secrets in one way would restrain him in other ways.)

So here I am and writing about my thoughts; but the thought I prefer to focus on starts with a trip to Japan a little over ten years ago where I gaffed. In typical flair, I photographed something I shouldn’t have — I recorded it even. I tried to capture something that seemed unusual to me, but my curiosity and intrigue probably caused more offense than anything. And in typical cultural response, no one said anything, but they sure thought it. My Japanese companion at the time filled in the details for me and I understood. But, it was those details she mentioned that caused me to take notice of something I would have normally ignored. And it was those details that have marked me deeply.

The question, naturally, is what did I do? Well, we were crossing a river and there were these stone boats with little statues. Everything stood stationary with the shadows of the trees waving with the wind. Each boat carried a cylindrical votive figure. Some were dressed and some were tattered, but all were squished in as if the boats carried what they could with the intent of returning to make another trip. And when I found out the reason for the statues, I knew they would return for another trip, and then more, and still more until the end of humanity.

In Japan, there is a saint that has made a vow to wander through all the hells that exist and escort those souls from purgatory. With his staff, he would break down the doors of hell, and with his jewel he would light the way; and he will not be done until he is done. He is a bodhisatva in the truest sense in that he not only has found the door to enlightenment, in that he not only holds the door open for others, but that he guides others to the door that can’t do it themselves. Naturally, he is the guardian of children: a deity of deceased children, aborted fetuses, and stillborns.

Each statue was an offering to comfort the grieving that lost what was most precious to them while others made the offering to absolve themselves of a vengeful spirit. This was a sacred place under a bridge, and I buried it all under a constipated shit. Anyone watching was too polite to say anything while I snapped away. And I was too dense to take the hint that we should be moving on…

Later, during that same trip, I was on a trail between shrines. Each one I saw was gold leafed and painted and bright. And then I came upon one that was dilapidated and sunken in with a sag from woodrot. Moss turned the roof into a mass of thick green. The shrine was tall and thin and narrow and surrounded by a cyclone fence in the footprint of a small house. I wanted to get closer to see the details, but I couldn’t. So I used the view finder on the camera to zoom in onto the steps where I saw what looked like a faded box with a bow, and next to this box was a tiny doll with the stitching loose and slumped and faded from the sun. And behind them was that same figure.

I knew I had stumbled on to something significant, so I took pictures as I circled the fence, and I zoomed in and out as I recorded all angles of this wilting shrine. Luckily, this time, I was lone. But when it was found out what I had done, I was politely told it probably wasn’t a good idea.

It took a good long while for me to understand the significance of what now remains a memory. And I am reminded of it once in a while as I travel around in my thoughts. I would like to think I am a bit more sensitive to what is considered sacred and should be handled delicately so that people can appropriately grieve. Though, it was only a few days ago when I saw pictures posted online of another grieving mass in Ireland. He helped carry the casket on his right shoulder with a look of aimless resolve on his eyes. Lines of grief raked his face as he stared blank. His smooth hands that carried her belied the age in his beard. But the camera caught him because he was supposed to be significant above all others there.

And I studied this picture and felt what I felt at the shrine and at the river. I felt it intensely. But I also felt a deep reverence that turned to shame when I went to the next picture to see this swath of people in a current with one face standing out like an unlikely rock — he broke the wall that kept me anonymous as he stared back. His eyes sunken in the shadows of his face and hollow cheeks as he at once pitied me and accused me for catching him in this moment. Part of me wonders if it was him wanting to ask why I would do this, but he lacked the effort for anger since he already knew.

And I did what I did at the shrine and at the river, and I saved the moment. It’s important somehow, and I don’t know why. To remind myself of something easily forgot? To have a clue towards something I’m still trying to understand? There is meaning there, I know there is, and that is why I saved the pictures. However, part of me is afraid there is none when I want there to be, and dismissing the evidence will prove that.

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Happiness

I’m happy.

Life has arranged itself into what I want it to be; and I feel like I manipulated a good chunk of my life in the right ways these past few years. I must admit, however, I didn’t know I would be here… where ever here is.

I think about death a lot, too. I feel like death is this gift I keep in my pocket to keep my perspective aligned because there is this world outside of myself that pulls on perspective. I’m fortunate that I don’t have to be punctual at work (as long as I get my work done), because it allows me time to bond with my partner… those extra minutes are important. Why should I have to wait to say what I want to say before seeing her again?

I don’t have a lot: I would rather have less than more, and I would rather be homeless and working odd jobs than find myself tethered to the acquizition of things, or be in a position where I could acquire a bunch of things. The thought of homelessness scares the shift out of me, but it also has an appeal… I could be the quintisential dirtbag like Fred Beckey, except it would be in my craft.

And can’t help but think of the misguided dreams fostered by people that have “made-it” as they’re talking to a crowd dreaming of fame and wealth. I think the true success stories are of those that are doing what they want to do. If the fame and wealth overlaps, then that is fine, but I think fame and wealth as a goal is a miserable goal.

I have a happy little life. And though I sit on my chair and think and write, I feel like I have come to understand the language of the birds anyway…

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The Quiet Away From People

I deleted my facebook account some time ago. Consequently, I went to other social media sites to stay “connected” through information. The funny thing is that those other social media sites are starting to seem just as inane when you see personas instead of people. You can’t connect with a persona in any other way than something schizophrenic, which is the most insincere form of connection. Knowing the self is hard enough when you are alone. Then, when you enter into a dynamic with other poeple, your self is changed, and that self is further changed when someone turns the screw of their personality and makes it a persona. Eventually, the lies told are believed by the liar, and then by everyone else.

I like being alone. I think being alone cuts down on the extraneous mental noise from other people. If everyone is, in a sense, a brand, then I have turned down the advertisements. I sometimes think the advertisements that inundate our lives are just as toxic as the air on a smoggy day; and, like the air, the smog obfuscates my ability to see clearly. I suppose the question arises how the information in the world influences us and how it is used to hide stuff from us while exposing us to something “preferred.” Furthermore, isn’t an advertisement just repeated information aimed at drilling itself into your psyche to get us to act in a certain way? I surmise people aren’t that different from a billboard you pass on the street in how they affect you in the long run. We are nuggets of information after all.

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